During his fellowship at the Spanish Academy in Rome, the archaeologist Tono Vizcaíno developed a research on the contemporary reception of the classical past. 

During his fellowship at the Spanish Academy in Rome, the archaeologist Tono Vizcaíno developed a research on the contemporary reception of the classical past. 

During his fellowship at the Spanish Academy in Rome, the archaeologist Tono Vizcaíno developed a research on the contemporary reception of the classical past. 

During his fellowship at the Spanish Academy in Rome, the archaeologist Tono Vizcaíno developed a research on the contemporary reception of the classical past. 

During his fellowship at the Spanish Academy in Rome, the archaeologist Tono Vizcaíno developed a research on the contemporary reception of the classical past. 

During his fellowship at the Spanish Academy in Rome, the archaeologist Tono Vizcaíno developed a research on the contemporary reception of the classical past. Its aim is to analyze the new languages ​​generated by the confluence of Archeology and mass culture in the 21st century Rome. This confluence is taken as the base of the design concept, mixing ancient and contemporary elements, thus generating a contrast that provides identity to the book.

During his fellowship at the Spanish Academy in Rome, the archaeologist Tono Vizcaíno developed a research on the contemporary reception of the classical past. Its aim is to analyze the new languages ​​generated by the confluence of Archeology and mass culture in the 21st century Rome. This confluence is taken as the base of the design concept, mixing ancient and contemporary elements, thus generating a contrast that provides identity to the book.

During his fellowship at the Spanish Academy in Rome, the archaeologist Tono Vizcaíno developed a research on the contemporary reception of the classical past. Its aim is to analyze the new languages ​​generated by the confluence of Archeology and mass culture in the 21st century Rome. This confluence is taken as the base of the design concept, mixing ancient and contemporary elements, thus generating a contrast that provides identity to the book.

AUTHOR – Tono Vizcaíno, CLIENT – Real Academia de España en Roma & Sans Soleil Ediciones, CATEGORY – Editorial, print.